Polish Music Newsletter
September 2006, Vol. 12, No. 9. ISSN 1098-9188. Published monthly.
Los Angeles: Polish Music Center, University of Southern California

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When thinking of Polish music, a few names inevitably come to mind. Chopin, Moniuszko, maybe even Szymanowski. In contemporary music it's Penderecki, Lutosławski, and Górecki. And the concerts where Polish music is featured pretty much reflect this regrettably short list.

Of course there are many more Polish composers. The history of Polish music began in the Middle Ages, with several great musicians who were active in the ancient Polish capital of Kraków. This strong and long-standing tradition happily continues to our times, with Polish contemporary music being represented by many different composers and a great variety of styles.

Part of the Polish Music Center's mission is to bring some lesser-known names into the spotlight. Our recent publication, Maria Szymanowska—Pianist and Composer (PMHS Vol. 9), spotlights an extraordinary woman. A divorced mother of three, Szymanowska (1789-1831) was a great virtuoso and an original composer whose works—Polonaises, Preludes, Etudes, and Mazurkas—certainly gave Chopin a head start. A friend of Pushkin and Goethe and mother-in-law of Mickiewicz, Szymanowska was a court pianist for the Russian Imperial Family. She also toured the world, garnering universal acclaim. The book's author, Sławomir Dobrzański, not only researched Szymanowska's life, but also recorded some of her music on a CD that is included with the book.

Another way the Polish Music Center tries to broaden the musical horizons of the general public is through the various concerts we organize—on the USC Campus, around Los Angeles, and elsewhere in California. Occasionally our programs reach across the continent to the East Coast and even overseas, with Brazil and Poland being but two of our recent musical adventures. These concerts often feature lesser-known composers whose music is undeservedly forgotten. Some of the musicians we present were very famous in their day, some died before the world had a chance to hear their music, and others just receded into history.

Programming unknown music can be a challenge. Sometimes finding the score and instrumental parts can be daunting. Rehearsals can also take much longer, since these works are not in the repertoire, and most musicians must first learn and discover how this music sounds. This process, quite obviously, does take time. For the public though, the first performance of anything should be an exciting event, awaited eagerly with much anticipation. Alas, a chance to hear something for the first time is often seen as an occasion to avoid. The unfamiliar repertoire could be a challenge, but is it?

Last March, the Polish Music Center in cooperation with the Park La Brea events featured the Midnight Quintet at a concert for the local community of residents. The choice of music for this group of USC students included—among other works—the Quintet for Winds by Tadeusz Szeligowski. This performance was certainly an American premiere, and the audience was not necessarily composed of the usual group of devoted concert-goers. Yet, this unfamiliar work received a tumultuous applause, earning the Midnight Quintet an invitation to return to Park La Brea later this year. Aside from the fact that not many Poles can recognize the name of Tadeusz Szeligowski (1896-1963), he is a completely unknown composer to an American audience. Yet Szeligowski was a fairly popular neo-classical composer who wrote numerous chamber works, concertos, and operas. In fact, when Szeligowski's distant cousin in Poland was telephoned on the day of the concert and told about the performance in Los Angeles, California, he was overcome with emotion and gratitude for bringing back his relative's name to the concert stage.

Tadeusz Szeligowski
Photo courtesy of POLMIC.

This September we'll once again present a few more interesting premieres. On the September 7th concert at United University Church on the USC campus, two string works by Zygmunt Stojowski will open the program. Zygmunt Stojowski (1870-1946, pictured at right) was a great virtuoso pianist and composer, who lived in the United States since 1905. His manuscripts and personal papers were recently donated to the Polish Music Center. We have transcribed and edited Stojowski's music, printing parts for each player and producing scores for the conductor. The music that until now existed only in composer's mind and was carefully notated on century-old staff paper will get its first hearing at that concert. The September 7th concert will also feature the Concertino for Oboe and Strings by Tadeusz Kassern (1904-1957). Although the orchestral parts for the composition were found in Poland, there was no sign of a conductor's score. A lengthy search through numerous archives and libraries finally located it at the Free Library in Philadelphia. Once all the materials were assembled here, at the Polish Music Center, it turned out that the orchestral parts and the conductor's score had never before been lent out for performance. There were no pencil markings on the music, indicating that the work hadn't been rehearsed. The Free Library in Philadelphia confirmed that the conductor's score was never before checked out. As a result of cooperating with the Polish Music Publishers [ZKP] (who provided the orchestral parts) and the Fleischer Collection Librarian in Philadelphia (who provided the conductor's score), we will finally have the world premiere of Kassern's charming, three-movement work, in performance by a USC student orchestra assembled just for this event.

Those who did not have a chance to hear the Szeligowski Wind Quintet in March will have a chance to hear it again on September 13th. Other pieces on this program will include the Wind Quintet by Grażyna Bacewicz (1909-1969, pictured at left), another distinguished and prolific Polish composer, and a Fantasia Op. 1 for Organ by August Freyer (1803-1883), who was born in Dresden but spent most of his life in Poland. Freyer was not only a teacher of Elsner (and Elsner taught Chopin) but he also authored numerous books on music theory and singing that were used in Polish schools well into the 20 th Century. This exciting concert is a lunchtime presentation in the Music at Noon Series at the United University Church at USC.

The Polish Music Center's concerts are always listed on the internet (see www.usc.edu/music/PMC) and advertised by mail to our ever growing mailing list (let us know if you would like to be a part of that list at polmusic@usc.edu). Please consider lending an open ear to our musical offerings this Fall. Hearing anything first is a rare opportunity indeed, and it shouldn't be missed. We're looking forward to seeing you at as many of our concerts as you are ready to attend!




Janusz Pietkiewicz

On August 4, 2006 Kazimierz Michał Ujazdowski, Polish minister of culture, officially accepted the resignation of Kazimierz Kord from the post of general and musical director of the National Theatre – Grand Opera. At the same time he nominated Janusz Pietkiewicz (pictured left) as the general director of the institution.

Kazimierz Kord, in the official statement, explained that his decision came as the only reasonable action after the employees of the Opera poorly rated the leadership of all the directors. Even though Kord overall has received the highest number of positive votes (336 positive vs. 400 negative votes), he still decided to step down as a director of the National Theatre – Grand Opera. The other management personnel, including artistic director, Mariusz Treliński, has received under 100 positive votes. These results, according to Kord, were unacceptable and the only resolution he saw was to resign. Kazimierz Kord said that any other reasons for his resignation, speculated upon in the press, are untrue.

The nomination of Janusz Pietkiewicz is a fairly controversial one. Born in 1946, he worked for Pagart (Polish Concert Agency), Poltel (Polish TV Film Agency), and during 70s and 80s he occupied different managerial positions in the Polish Television and Radio. He has already served as the general director of the National Theater (1996-1998), but his efforts to combine the dramatic and operatic aspects of the institution failed and as a result he was dismissed from the position. Most recently, Pietkiewicz was the director of the Theater and Music Bureau of the city of Warsaw.

Janusz Pietkiewicz has announced that for the coming season there will be five continuing spectacles: La Bohéme, Pique Dame, Don Giovanni, King Roger, and Madame Butterfly. There will be a premiere of Magic Flute by Achim Freyer and Wozzeck by Krzysztof Warlikowski, also a Ballet Evening prepared by Jiři Kylian and chamber spectacles prepared as part of the “Territories” cycle. The fate of the Szymanowski ballet show and world premiere of Paweł Szymański's opera are still unknown since there has been very little progress made towards getting the projects stage ready recently.

According to Ludwik Erhardt, editor-in-chief of Ruch Muzyczny, “Pietkiewicz is a bad candidate, he has failed on many occasions…” This nomination was made with hope of healing the atmosphere of conflict in what is one of the most important artistic institutions in Poland, but it is yet to be seen whether the desired healing comes to pass or conflicts only become more deeply entrenched as a result of the decision.



The world premiere of Zygmunt Krauze's new opera Bal w operze [A Ball in the Opera] will take place on September 10th in Łódź, during the 5th edition of the Dialogue of Four Cultures Festival. Łódź is a city that is influenced very strongly by the Polish, Jewish, Russian and German cultures, and this festival reflects the harmony in which they coexist. Bal w operze is based on a text by Julian Tuwim. The performers for the world premiere are the Schol Cantorum Gedanensis choir and the Łódź Philharmonic. The performance will be directed by Tomasz Konina and will take place in the Teatr Jaracza.



Krzysztof Penderecki will be an honorary guest at the Chamber Music Festival in Giverny, France. This year's edition focuses on the music of Robert Schumann and Krzysztof Penderecki and includes a world premiere of his new work, Divertimento for cello solo. The work will be performed by French cellist, Michel Strauss.



The world premiere of the opera Ça Ira, created by international star Roger Waters (formerly of Pink Floyd), took place on August 25, 2006, in Poznań, during the International Poznań Fair. Ça Ira combines the genres musical, opera, circus, gospel and rock music. The main theme, the French Revolution, serves as a pretext to contemplate freedom and its consequences, perils and benefits.

On the visual level, the show was presented as a multi-layered outdoor show. The opera convention was intertwined with the domains of circus and acrobatics. The language of the opera and circus sounded in unison with that of movies (3D sequences shown on large screens imitate parts of the real world) and massive scale spectacle (marching troops, battle scenes, cavalry, carriages, armored vehicles). Special lighting effects gave the show a unique character and splendor. And instead of constructing some parts of the set design, the creators of the masterpiece painted them with illumination on buildings and in the sky up to 3 kilometers above the audience's heads.

Although the open air extravaganza was a one of a kind project, the stage premiere of the opera will take place in the Moniuszko Grand Theater on November 11, 2006.

For more information on the show, tickets and performers you can visit the official website of the production.



Krzysztof Penderecki's European Music Center was founded in 2005 and is based in Lusławice. The goal of the institution is to educate and gather the most talented young musicians, educators and professors to allow the young generation to deepen their musical knowledge. At the end of August, Polish vice-minister of culture Jarosław Sellin and Krzysztof Penderecki placed the foundation stone for the new concert hall to be used by the European Music Center.



At the Teatro Avenida in Buenos Aires, between September 8 and October 24, Argentinians are celebrating the legacy of Chopin. The Fundacion Chopiniana has invited an impressive list of performers for the festival. Events include recitals by Philippe Giusiano (France), Matthias Soucek (Austria), Martin Kasik (Czech Republic) Martha Noguera (Argentine), Krzysztof Jabłoński (Poland), Adam Wodnicki (USA), Francesco Nicolosi (Italy), Vittorio Bresciani (Italy).

For concert times and venues, visit: www.infochopin.pl.



In the September 2006 issue of Gramophone magazine, music critic Bryce Morrison gives an illuminating and witty list of who he considers to be the Top 10 Chopin performers of all time…

  1. Arthur Rubinstein, who saved Chopin from “performances…tainted by excess…[and] found in him a new strength and virility…Above all, he paid tribute to a central paradox, to a vocally inspired composer who wrote almost exclusively for the piano”
  2. Alfred Cortot, who was a “more idiosyncratic pianist than Rubinstein…[but] to which one returns with endlessly renewed illumination and delight”
  3. Vladimir Horowitz had “a dynamism, sophistication and wizardry that continues to pin listeners back by the ears”
  4. The “poker-faced” Benno Moiseiwitsch
  5. The “anti-thesis,” Dinu Lipatti, who “sought…purity and transperancy” in his performance
  6. Emil Gilels, whose “early incandescence modulat[ed]…into a rich, full-toned mastery worth its weight in gold”
  7. Contemporary Murizio Pollini, who “showed heroic strength and lucidity”
  8. And Martha Argerich, who “returned us to a Chopin of such brilliance and volatility that the parameters of conventions seemed blown apart”
  9. Krystian Zimerman, who revisits these parameters, “ever seeking to define the borderline, between freedom and distortion, clarity and obscurity”
  10. Murray Perahia, who has “rare poise and articulacy”



The new ballet entitled Edith, choreographed to the songs of and based on the life of Edith Piaf, will have its world premiere on September 29, 2006 on the stage of the State Baltic Opera in Gdańsk. Choreography is by Sławomir Gidel, decorations and costumes by Hanna Szymczak and the music was arranged by Tomasz Rogoziński. The ballet is not a direct biography of Piaf's life but rather paints the picture of an emotional woman for whom music provided liberation from the monotony of existence. For more information, please visit the official web site of Baltic Opera..



Polish conductor Jerzy Semkow (b. 1928, pictured at right) has been awarded the Commander's Medal of Arts and Letters by the French ministry of Culture. This is the highest award given by the French government for achievements in the arts. The medal is also given in two lower ranks and other Polish artists who have been honored include Roman Polański, Tadeusz Kantor, Andrzej Żuławski and Magdalena Abakanowicz.

Jerzy Semkow is one of the most celebrated Polish conductors. He has held conducting posts with St. Louis Symphony Orchestra, Rochester Philharmonic, Italian Radio and Television Orchestra RAI, Royal Opera in Copenhagen, Denmark and National Theater – Grand Opera in Warsaw (first conductor). Jerzy Semkow lives in Paris.



In addition to the regular annual Polish Composers' Union [ZKP] awards, there are two more people recognized for their input into Polish cultural scene. The 2006 honorary awards were announced and the recipients are: Marek Chołoniewski, for his festival and concert initiatives in Poland and abroad as well as for his efforts in integrating and promoting Polish artists; and Jerzy Kapuściński, for support and promotion of Polish contemporary music on Polish Television. The awards ceremony will take place on September 30 in the offices of ZKP.



Polish minister of culture and national heritage, Kazimierz Michał Ujazdowski, has honored outstanding Polish choreographer, educator and dance reformer, Conrad Drzewiecki, with Gold Medal Gloria Artis. According to Ewa Wycichowska, the current director of the Polish Dance Theater in Poznań, “Without him [Drzewiecki], many people would not be interested in contemporary dance.” This year's edition of the Biennale of Contemporary Dance was dedicated to Drzewiecki and his work. Also there was an exhibition of posters and photos of Drzewiecki's work.



The Polish-German flute-guitar group Duo Artus, consisting of Krzysztof Kaczka (flute) and Perry Shack (guitar), have won the 2 nd place prize at the 2006 NFA Chamber Music Competition. The competition took place from 10-13 August 2006 in Pittsburg, PA. The first place was awarded to the Windfire Duo: Paula Kasica, flute and John Kasica, percussion. Third price went to “Ensemble Radieuse”: Christopher Vaneman, flute; Kelly McElrath, oboe; Melanie Foster Taylor, piano.



This annual festival, prepared by one of the best Polish orchestras, Sinfonia Varsovia, will take place between Spetmber 1 st and 17 th in venues around Warsaw. The festival is dedicated to the city with the honorary patronage of the president of the City of Warsaw, Kazimierz Marcinkiewicz. The goal behind the series of free concerts is to present the audience with works by the greatest composers, performed by the greatest artists, such as: Iwona Hossa, Adam Kruszewski, Jerzy Maksymiuk, Jacek Kaspszyk and Krzysztof Penderecki, among others. This year's program includes works by: Vivaldi, Haydn, Mozart, Beethoven, Verdi, Bizet, Berlioz, Moniuszko and Wieniawski. You can find the complete concert calendar at www.polmic.pl.

Starting in 2007, the festival will bare the name of Franciszek Wybrańczyk, the founder, long time director and manager of the orchestra, who just recently passed away.



The Warsaw Autumn festival was born in 1956 and is the only festival of international scope dedicated solely to contemporary music in Poland. The 49 th edition of the International Festival of Contemporary Music “Warsaw Autumn” will take place between September 22 and 30. There will be over 20 concerts, during which audiences will hear: 19 string quartets in one day (September 23, starting 12:00 PM until 11:00 PM, National Philharmonic); the operatic saga Kommander Kobayashi, consisting of operas by Aleksandra Gryka and Sergiey Newsky (September 27, National Theater); and Henryk Mikołaj Górecki's monographical concert (September 29, St. Jack's church), among others.

Warsaw Autumn would not be complete without world premieres, this year there are 13 premieres planned. Composers who will have premieres include: Tadeusz Wielecki, Erik Oña, Zbigniew Bagiński, Zbigniew Penherski, Paweł Mykiety, Magdalena Długosz, Anna Zawadzka-Gołosz, Jarosław Siwiński, Jacek Kochan, Jerzy Kornowicz, Bogusław Schaeffer, Aleksander Szczetyński, Joanna Woźna and an opera by Zygmunt Krauze. There will also be many accompanying projects including two concerts of the “Youth Circle” of the ZKP (Polish Composer's Union) and a concert of the Warsaw chapter of ZKP.

For more information about the festival, program, contact information and tickets please visit the official website of the festival.



From the very beginning in 1966, the International “ Wratislavia Cantans” Festival of Oratorio and Cantata has been a festival without borders, presenting the music of many nations performed by some of the best international artists. This year will be no exception. Between September 9 and 17, the festival will enliven 24 cities of lower Śląsk [Silesia] and Opole regions and will also reach abroad, to Hejnice in the Czech Republic and Görlitz in Germany. Iinvited artists come from 11 different countries, including: Argentine, Croatia, Czech Republic, Estonia, France, Germany, Poland, Switzerland, USA, Great Britain and Italy. Audiences will hear early, baroque, classical and romantic in juxtaposition with contemporary compositions. Works presented will span from large vocal instrumental works to concertos, symphonies songs and dances.

Since 1978, Wratislavia Cantans has been the only Polish member of the prestigious European Festival Association (EFA) in Geneva and since 1997 Lidia Geringer d'Oedenberg, General Director of Wratislavia Cantans, has been the only Polish representative on the association board and an active member of EFA Marketing Commission. This honorable privilege opens new paths of progress for the festival, creating tremendous opportunities for co-operation with the greatest and most important festivals in Europe. In 1998 Wratislavia Cantans joined the International Society for Performing Arts Foundation in New York (ISPA), in 1999 it was one of co-founders of Reseau Europeen pour la Music Ancienne (REMA) in Paris. All these actions help to develop mutual co-operation and cultural exchange, which also became an excellent opportunity to promote Polish culture.

This year's 41 st edition of the festival days will feature 46 concerts. For the detailed information and program of the festival please visit the official website.



The cycle of Sunday piano recitals in Łazienki Królewskie park continues. The recitals take place every Sunday at 12:00 pm and 4:00 pm by the Frederic Chopin statue.

Concerts in September:

Sunday, September 3:
- 12:00 PM - Megumi Ito (Japan)

- 4:00 PM - Anna Jastrzębska-Quinn

Sunday, September 10:
- 12:00 PM - Anna Maria Stańczyk

- 4:00 PM - Maciej Poliszewski

Sunday, September 17:
- 12:00 PM - Bogdan Czapiewski

- 4:00 PM - Anita Krochmalska

Sunday, September 24 :
- 12:00 PM - Karol Radziwonowicz

- 4:00 PM - Marek Drewnowski



Every three years the “Musica Antiqua Europae Orientalis” Congress takes place in Bydgoszcz at the Pomeranian Philharmonic and the seesion is always accompanied by a music festival. This year's 40 th edition of the event lasts from September 11 – 29 and the themes are: “Christian tradition of the East and West in the culture of Slaves,” and “Religious music at the cross-roads of various traditions.” The Philharmonic in Bydgoszcz is the only such in Poland that, apart from regular artistic activities, is also involved in research and science. For the complete program and information about the congress and festival please visit the official website.




The 4 th edition of “Sacrum-Profanum” festival will take place between September 18 and 24, 2006 in Kraków. The idea behind the festival is the presentation of works by composers from certain regions. In 2004 it was Vienna, in 2005 the festival was all about the Russian composers, and this year's edition will concentrate on French composers like Hector Berlioz, Maurice Ravel, Gabriel Fauré, Darius Milhaud, Claude Debussy, Camille Saint-Saëns and Georges Bizet, among others. Among the invited artists are such great names as Barbara Hendricks, Alexandre Tharaud, Vanessa Wagner, Grammy Award winner – Jean-Guihen Queyras, and Hervé Niquet. Polish artists include Sinfonietta Cracovia, Violarium Trio and Justyna Danczowska, among others. For more information you can visit the official website of the festival.



This is the first edition of the “Musica Sacromontana” festival of oratorio music. The festival is organized by the Józef Zeidler Society and will take place between September 23 and October 13 on Święta Góra in Gostyń. During the festival there are a few world premieres of works by Józef Zeidler (1744-1806), who was often called the “Polish Mozart.” The works will be performed by the excellent Polish musicians. All concerts will be recorded by the Polish Radio Channel 2 and there is also a double CD with the works by Zeidler in the works. For more information please visit this website.




Brana Records is dedicated to the restoration and re-release of the wonderful rare recordings by the Polish pianist, Felicja Blumental (1908-1991). Felicja Blumental was born in Warsaw, Poland on 28 December, 1908 where she attended the National Conservatory, studying composition with Karol Szymanowski and piano with Joseph Goldberg, Zbigniew Drzewiecki and Józef Turczynski. After taking refuge in France and Luxembourg early in World War II, she received a visa to perform in Brazil in 1942. A successful debut in Rio de Janeiro led Ms. Blumental to extensive tours in Latin America, performing over 100 concerts. What followed was a worldwide success and recognition.

In addition to recording well known masterpieces such as the piano concertos of Grieg and Rachmaninoff, Felicja Blumental was a champion of lesser-known early 19th century piano works by composers such as Clementi, Hoffmeister, Ries, Kuhlau and Czerny.

Felicja Blumental was also a well-respected interpreter of Mozart and Chopin and much admired by notable 20th century composers; Villa-Lobos, Penderecki and Lutosławski all wrote pieces especially for her.

Felicja Blumental died in Tel Aviv on 28 December 1991 and in 1999 the Tel Aviv Museum of Art, Israel's most dynamic cultural centre, named its prestigious International Music Festival after her. More information on the artist is available on Brana Records website.

Thanks to the generosity of the Brana Records our record collection now includes seven restored releases by this great Polish artist. These recordings are of the highest quality and are a wonderful and necessary addition to any piano enthusiast's collection

  • Villa-Lobos Live!
Heitor Villa-Lobos: Piano Concerto No. 5; Garibaldi foi a Missa; Danca do Indio Branco; Danca Brasileira; Serenata Humoristica; Bachias Brasileiras No. 3

Felicja Blumental, piano; Vienna Symphony Orchestra; Filharmonica Triestina; Heitor Villa-Lobos and Luigi Toffolo, conductors
Brana Records BR0001

  • Concerto in Brazilian Forms
Hekel Tavares: Concerto in Brazilian Forms for Piano and Orchestra No. 2, Op. 105; Isaac Albeniz: Spanish Rhapsody; Piano Concerto No. 1 (Concierto Fantastico), Op. 78

Felicja Blumental, piano; London Symphony Orchestra; Filharmonia Triestina; Torino Orchestra; Anatole Fistoulari, Luigi Toffolo and Alberto Zedda, conductors
Brana Records BR0002

  • The Beethoven Mysteries
Ludwig van Beethoven: Violin Concerto in D major, Op. 61 (Transcribed for the Piano by the composer); Rondo; Piano Concerto in D major: Allegro

Felicja Blumental, piano; Brno Philharmonic Orchestra; Prague Symphony Orchestra; Jiri Waldhans and Alberto Zedda, conductors
Brana Records BR0004

  • The Spinning Girl

Moniuszko; Bach; Corelli; Gluck; Beethoven; Kuhlau; Schubert; Chopin; Szymanowski; Villa-Lobos; Khachaturian; Kabalewski; Weill

Felicja Blumental, piano

Brana Records BR0014

  • The Blumental Collection vol. 1

Frederic Chopin: Waltzes

Felicja Blumental, piano

Brana Records BR0017


  • The Blumental Collection vol. 2

Frederic Chopin: Mazurkas, Nocturnes and Polonaises

Felicja Blumental, piano

Brana Records BR0018


  • Polish Fantasy

  • Ignacy Jan Paderewski: Piano Concerto in A minor, Op. 17; Fantaisie Polonaise for piano and Orchestra, Op. 19 ; Krzysztof Penderecki: Partita for Harpsichord

    Felicja Blumental, piano; Vienna Symphony Orchestra; Polish Radio Symphony Orchestra; Innsbruck Symphony Orchestra; Helmut Froschauer, Krzysztof Penderecki and Robert Wagner, conductors
    Brana Records BR0028

    Other Felicja Blumental recordings available from Brana Records: BR0005 - The Pupils of Beethoven; BR0008 -Friends and Rivals: Mozart and Clementi; BR0009 - Friends and Rivals: Beethoven and Hoffmeister; BR0019 - Chopin Piano Concerto and Scherzos; BR0012 - Piano Concertos by Rachmaninoff and Hummel; BR0013 - Piano Concertos by Tchaikovsky and Arensky; BR0015 - Piano Concertos by Grieg and Liszt/Busoni; BR0016 - Piano Concertos by Schumann and Kuhlau; BR0019 -Piano Quintets by Rubinstein & Rimsky-Korsakov; BR0021 - Spanish and Portuguese Keyboard Music vol. 1; BR0022 - Spanish and Portuguese Keyboard Music vol. 2; BR0023 - Beethoven/Rubinstein; BR0024 - Variations; BR0025 - The Italian Collection vol. 1; BR0026 - The Italian Collection vol. 2; BR0027 - On the Way to Prague.



    Karłowicz, Szymanowski. Violin Concertos

    Mieczysław Karłowicz: Violin Concerto in A major Op. 8; KarolSzymanowski: Violin Concerto No. 1 Op. 35

    Piotr Pławner, violin; Zielona Góra Philharmonic Symphony and Chamber orchestras; Czesław Grabowski, conductor

    DUX 0540

    Beethoven, Shostakovich. Piano Trios

    Ludwig van Beethoven: Piano Trio in D major Op.70 No.1 "Ghost"; Dmitri Shostakovich: Piano Trio No. 2 in E minor Op. 67

    Trio Cracovia: Krzysztof Śmietana, violin; Julian Tryczyński, cello; Jerzy Tosik-Warszawiak, piano

    DUX 0541

    Henryk and Józef Wieniawski. Violin and Piano Works

    Henryk Wieniawski: Polonaise Brillante in A major Op. 21; Legend Op. 17; Józef Wieniawski: Sonata in D minor Op. 24

    Patrycja Piekutowska, violin; Edward Wolanin, piano

    DUX 0543


    Piazzoforte - Astor Piazzolla

    Astor Piazzola: Michelangelo 70; Tres piezas para orquesta de camara; Concierto del angel; Oblivion; Revolucionario; Teledisc of Piazzoforte Project

    Piazzoforte: Kevin Kenner, piano; Paweł Wajrak, violin; Maciej Lulek, violin; Ryszard Sneka, viola; Konrad Górka, cello; Grzegorz Frankowski, double bass, artistic leadership

    DUX 0548

    Tansman. Works for Orchestra

    Aleksander Tansman: Variations sur un theme de Frescobaldi; Symphonic No. 4; Quatre danses polonaises; Que laSauveur des pa?ens vienne maintenant

    Podlaska Opera and Philharmonic; Marcin Nałęcz-Niesiołowski, conductor

    DUX 0542

    20-th Century Polish Music for Violin & Piano

    Karol Szymanowski: Sonata in D minor Op. 9 for Violin & Piano; Grażyna Bacewicz: Sonata No. 4 for Violin & Piano; Witold Lutosławski: Partita for Violin & Piano

    Patrycja Piekutowska, violin; Beata Bilińska, piano

    DUX 0544

    Polish Cello & Piano Sonatas

    Zygmunt Stojowski: Cello & Piano Sonata Op. 18; Aleksander Tansman: Cello & Piano Sonata; Witold Szalonek: Cello & Piano Sonata; Jerzy Bauer: Sonata in One Movement for Cello & Piano

    Michał Dmochowski, cello; Graham Jackson, piano

    DUX 0514


    DUX DVDs


    Stanisław Moniuszko: Halka

    Orchestra, Chorus and Ballet of the Wrocław Opera

    DUX 9538




    Wolfgang Amadeus Mozart: Requiem

    Orchestra and Choir of the Łódź Philharmonic; Tadeusz Wojciechowski, conductor

    DUX 9555




    Chopin. The Complete Waltzes

    Frederic Chopin: Waltzes
    Alexandre Tharaud, piano
    Harmonia Mundi HMC901927

    From the publisher: “This new recording by Alexandre Tharaud follows in the tradition of his earlier CDs devoted to Rameau, Ravel and Bach. Once again the young French pianist revisits in his own way a repertoire which we thought had already been explored right down to the tiniest details. Is any repertoire more famous than Chopin's Waltzes? And yet...”



    C. P. E. Bach: Concerti a Flauto Traverso Obligato vol. 1
    Carli Philipp Emanuel Bach: Concerti A Flauto Traverso Obligato Sol Majeur Wq. 169 (H. 445); Si BeMol Majeur Wq. 167 (H. 435); Re Mineur Wq. 22 (H. 425)
    Alexis Kossenko, flauto traverse; Arte dei Suonatori

    Alpha 093

    This new release from the Polish ensemble Arte dei Suonatori, an orchestra specializing in the early repertoire, is an excellent follow-up to their previous critically acclaimed releases. This first volume of C. P. E. Bach's Concertos for flauto traverse was recorded with Alexis Kossenko, who is a frequent collaborator with the orchestra. The critics love the release and it has already received the French 10 de Classica-Répertoire award, and more are likely to follow.



    Stanisław Jopek, the legend of the Mazowsze Folk Song and Dance Ensemble, passed away on August 1, 2006, at the age of 71. His dedication and hard work with the ensemble have won him many awards and honors, including the highest state medals. He was buried in the Powązki Military Cemetery and honored by many past and current members of his beloved ensemble. The Polish minister of culture, Kazimierz Michał Ujazdowski, has decided to award Mr. Jopek with a post mortem Gloria Artis medal, one of Poland 's highest cultural awards.

    Below is an article in memory of Stanisław Jopek, written by Staś Kmieć. Mr. Kmieć is the Culture Editor of The Polish American Journal, the publication in which this article was first published (September 2006 issue), and he is also a professional actor/singer/dancer and director/choreographer in Broadway productions and films.   Mr. Kmieć has been in close contact with Mazowsze and its members for many years, giving him a personal perspective for this tribute piece.

    * * * * * * * *

    Stanisław Jopek (1952-2006):
    The “First Furman of Poland”—A Mazowsze Legend
    By Staś Kmieć
    (Polish American Journal, September 2006)

    Stanislaw Jopek's gift of voice was his present to the world.

    Vocal soloist Stanisław Jopek boasted a robust feeling of measure and control behind his bright, splendidly steady and consistent baritone. In his signature Furman (the Coachman), he soared through the tongue-twisting Old Warsaw lyrics with virtuosic aplomb.” (S. Kmieć - PAJ 1997)

    Having met with Mr. Jopek inside and outside the dressing room–in the US and Poland–I enjoyed our conversations about folklore, the arts, the history of Mazowsze, Pavarotti, and the Metropolitan Opera. We shared the same first name and with that, cemented a kinship. He always had a humerous anecdote to share and was full of vitality. He will be missed.

    Over his career, Stanislaw Jopek had achieved the ultimate success of a vocal artist – he was recognized and beloved by the public and the world's stage. His performances filled with enthusiasm were anxiously anticipated in Poland and far beyond its borders. He sang over 100 popular folk songs in 36 languages, among the many: the exotic tongues of Chinese, Japanese, Finnish, Greek and Arabic.His repertoire included renowned operatic arias and songs, renditions of Chopin and Moniuszko, Christmas kolędy, and of course, folk songs. But it was his signature rendition of “Furman” that brought him acclaim, and lead to his unofficial title of “First Furman of Poland” ( Pierwszy Furman Rzeczypospolitej ).

    Born in 1935 in Lwów, Stanisław Jopek loved to sing.   His parents moved the family to Kościerzyc in Dolny Śląsk, where he went to two schools:   trade school, to appease his parents' wishes, and music school, where Staszek would be able to indulge his passion and train his strong voice.

    In 1952 he had been encouraged to attend his first professional audition and was chosen to join the renowned Skolimów Song and Dance Ensemble. In a short time he was promoted to soloist status. Soon after, when Skolimów dissolved, Jopek was invited by Mira Zimińska-Sygietyńska and Tadeusz Sygietyński to join the Mazowsze Song and Dance Company, and in 1956 began his artistic work with the company as vocal soloist.

    Jopek confided that his initial intention was to join the company only to elude army draft:  “When I arrived in Karolin (the troupe's headquarters) and saw the beautiful girls, incredible costumes I was dumbfounded. I fell in love with Mazowsze! ” He also fell in love with a dancer in the company, Maria Stankiewicz, who later became his wife.

    It was in the beginning of his career with Mazowsze, while searching for new material, that Jopek came across the song “Furman.” As the song had some satirical political overtones, the lyrics were mildly adjusted and the rest is history. “I thought that a song like ‘Furman,' I'd sing for a year… for the most two. But as it turned out I'd be singing it for all my life, ” said Jopek...“Wherever I'd go, the public wanted ‘Furman.'   I have a massive repertoire of other songs, but ‘Furman' always needed to be included.”   The song has appeared in every Mazowsze concert since.

    The sonorous voice of this dynamic vocalist will forever be recognizable in many a Polish home. He was synonymous with Mazowsze and admired dearly by Polonia audiences around the world. Jopek's great talent is carried on through his two daughters: Patrycja, an eminent violinist and the popular jazz vocalist, Anna Maria.  

    His funeral mass took place August 7, 2006 in the Church of St. Karol Boromeusz, Warsaw and was officiated by Józef Cardinal Glemp, Primate of Poland, with guests from all over Poland in attendance, and 150 members of Mazowsze. Stanislaw Jopek was laid to rest in the Avenue of Professors at the Army Cemetary.

    Synonymous with Mazowsze, Stanisław Jopek was famous throughout the world
    for his rendition of Furman. (Photo PAP)


    • 1 September 1900 - Kazimierz WILKOMIRSKI, cellist, conductor, teacher (died in 1990)
    • 5 September 1924 - Krystyna MOSZUMANSKA-NAZAR, composer
    • 5 September 1938 - Piotr LACHERT, pianist, composer, pedagogue
    • 6 September 1916 - Tadeusz DOBRZANSKI, composer and conductor
    • 7 September 1943 - Elzbieta STEFANSKA, harpsichordist
    • 9 September 1921 - Andrzej DOBROWOLSKI, composer (died in 1989)
    • 9 September 1923 - Andrzej BACHLEDA, tenor
    • 13 September 1896 - Tadeusz SZELIGOWSKI (died 10 January 1963), composer
    • 14 September 1937 - Jan ASTRIAB, composer
    • 14 September 1914 - Michal SPISAK, composer (died 29 January 1965, Paris)
    • 16 September 1895 - Karol RATHAUS, composer, pianist (died 21 November 1954, New York)
    • 16 September 1891 - Czeslaw MAREK, composer, pianist
    • 18 September 1919 - Edward BURY, composer and theory teacher
    • 18 September 1928 - Adam WALACINSKI, composer and music critic
    • 18 September 1883 - Ludomir RÓZYCKI (died 1 January 1953), composer
    • 19 September 1938 - Zygmunt KRAUZE, composer and pianist
    • 22 September 1940 - Edward BOGUSLAWSKI, composer
    • 23 September 1912 - Irena PFEIFFER, composer, conductor.
    • 24 September 1914 - Andrzej PANUFNIK (died 27 October 1991)
    • 30 September 1942 - Andrzej DUTKIEWICZ, pianist and composer
    • 30 September 1947 - Jan OLESZKOWICZ, composer
    • 13 September 1977 - Leopold STOKOWSKI (born 18 April 1882), conductor and composer
    • 15 September 1895 - Jan KLECZYNSKI (b. 8 June 1857), pianist and music critic
    • 15 September 1944 - Bronislaw WOLFSTAHL, composer, pianist, conductor (b. 22 July 1883)
    • 18 September 1857 - Karol KURPINSKI (b. 6 March 1785), composer and conductor
    • 26 September 1944 - Seweryn BARBAG (b. 4 September 1891), musicologist.
    • 29 September 1954 - Alfred GRADSTEIN (born 30 October 1904), composer, and social activist
    • 27 September 1943 - Waclaw GIEBUROWSKI (born 6 February 1878), priest, choral conductor and musicologist
    • 28 September 1939 - Halina SZMOLC-FITELBERG (born 25 December 1892), dancer (Diaghilev ensemble, Grand Theatre)
    • 28 September 1956 - Walerian BIERDAJEW, conductor and teacher (b. 7 March 1885)
    • 29 September 1861 - Tekla BADARZEWSKA-BARANOWSKA (b. 1834), composer of "The Maiden's Prayer"

    Back to PMC Home Page PMC Newsletter Archive

    Copyright 2006 by the Polish Music Center

    Send your comments and inquiries to: polmusic@thornton.usc.edu
    Newsletter Editor: Krysta Close
    Assistant Editor: Daniel Kamiński

    Contributions from: Staś Kmieć & Marek Żebrowski

    Sources of information: Polish Cultural Institute, Adam Mickiewicz Institute, Fanfare,
    American Record Guide, PWM, Nowy Dziennik, Polish Music Information Centre,
    Polish American Journal, PAP, ZKP, BBC Music Magazine,
    infochopin.pl, Gramophone Magazine.

    Formatting by Krysta Close 9/5/06