|Polish Music Newsletter|
August 2014, Vol. 20, No. 8. ISSN 1098-9188. Published monthly.
OBITUARY: JAN JARCZYK
THE BLUE NOTE OF SORROW
The music that filled Jan Jarczyk’s heart ever since the day he was born in Kraków in 1947 fell silent on August 3, 2014. Throughout his rich and eventful life, there was a lot of Jan’s music in places around the globe and it resonated deeply with his friends and fans. Just like the title of Jan’s recent CD, Full Circle, his music came Round, Round & Round—to quote another CD title, featuring a lovely string quartet introduction on its opening track, There Is Always Time.
Yes, there is always time—or so it seemed so many years ago when we first met in Boston. It may have been a cold and dreary evening, but the exact details escape me now; they didn’t matter at that brief moment at the end of the 1970s. It seemed like there was time, there will be time, and there was no hurry. Jan was finishing his studies at Berklee School of Music and began to teach there. One additional recital was required before Berklee would grant him a diploma. Besides being a brilliant pianist, Jan was also a great trombone player who needed a pianist to accompany him in that one final. I was still at the New England Conservatory and had rather limited contacts with jazz musicians or members of the Polish community in general. Jan, resourceful and thorough as always, somehow managed to reach my landlady on the phone and requested to be put through. In his rapid-staccato voice he went straight to the point. “I’ve got this recital coming up soon. Need a pianist for a few pieces, including Serocki’s Sonatina for Trombone and Piano. You’ve got to do it.” Jan always spoke hurriedly and—regardless of the language he used— his grammar resembled the telegraphic messages of long ago.
My visit to his Beacon Street high-rise flat in Boston’s Back Bay was the beginning of a long friendship and collaboration on several musical projects. The Serocki (and few other pieces we breezed through for the Berklee recital) was but an introduction to Jan-the-musician and Jan-the-host. His warm-heartedness and hospitality would henceforth be on ample display at least once or twice a week, before I would return home from the Conservatory or from M.I.T., where I had a part-time teaching gig. I was expected, even required, to stop by Jan’s place for a chat, interspersed with rounds of chilled vodka, herring, pickles, and dark rye. Many hours later Jan would insist on the courtesy of accompanying me downstairs and leaving me on the sidewalk, retreating to the lobby of his building only after making sure I departed his Beacon Street address in the approximate direction of my lodgings.
During the next few years, we collaborated on a variety of concerts, where each of us would share half of the program. Held in a variety of venues in and around Boston, some of them were summer outdoor affairs, and they attracted many Polish émigrés whom I befriended only because they were Jan’s sworn fans. Our paths diverged at some point in the late 1980s—Jan moved to Montreal to work and teach there, and I began to spend more and more time in Europe and on the West Coast.
To my great joy, Jan reached out to the Polish Music Center about four years ago. Invited to perform by the Polish Consulate, together with Andrzej Olejniczak, Janusz Stefański and Darek Oleszkiewicz, Jan appeared at the Italian Cultural Institute in Westwood in a Chopin program arranged for jazz quartet. Once again, it was the same voice on the phone—the same grammar and articulation. Besides concertizing, Jan wanted to visit USC and study our archives, focusing on music by Bronisław Kaper and Henryk Wars—two composers whose collections are among our many treasures. Plans were eventually made for an extended stay and over a year later Jan drove across the continent with his wife, Danielle, arriving here in late winter. Immediately both of them settled to a lovely routine—Jan perused the scores, sketched out arrangements, checked out the recordings, and Danielle graciously joined us at lunchtime in the PMC reading room. A few weeks went by very quickly and, with his tasks completed, in his matter-of-fact way, Jan waved us goodbye and boarded his Mercedes on a long voyage back to Montreal in March of 2013.
As promised, Jan returned to USC exactly a year later for our March 29 concert, featuring his new arrangements of Kaper and Wars as well as his own compositions. His Newman Hall concert was a great success—the overflowing audience included the family of Henryk Wars, and Jan was mobbed at the reception afterwards (read a review of the concert in the April 2014 Newsletter). Many in the audience expected an encore. “I’m totally deflated,” Jan said as soon as he was backstage after an uninterrupted hour and a half of music. “I can’t go back tonight,” he added.
It took quite some time to wind things down that evening. In between trying to help with bringing all kinds of gear back to the Polish Music Center, Jan finally sat down at the table, munching on the few edibles left from the reception. It was almost midnight. He poured himself a glass of wine and wanted to talk. That’s when I heard that a few months earlier, just before Christmas, Jan was diagnosed with cancer. The experimental drugs were working miracles, he quickly assured me. Nothing has changed—it was still the same Jan, energetic, optimistic, making all kinds of plans for the future. The hospital and doctors at McGill were the best—and he was responding to therapy beyond the wildest expectations of his attending physician. Then there was a retirement party for Jan at McGill on May 15. Jan’s e-mail was laconic and inimitable, “Come and Join the Gang!” A few weeks later, on the phone, he told me matter-of-factly, “Oh. The party was fine. I’m enjoying myself now. Doing a few concerts this summer.” The birds chirped in the background and city traffic hummed on the other end of the line. Finally, it was spring in Montreal—time to make plans. Jan was going places, just like his memorable CD had announced a decade ago. The music would continue to accompany his life. The harmony—Jan’s sonorous companion and source of inspiration—with its progressions of chords could be always embellished with a melodic flourish or two on the piano. It would round off the sensuous bass line and fit into the groove laid out by the drummer. If there was a sax player—or another soloist—Jan’s handiwork would neatly dovetail into it, just so, without exaggeration. Easy, man—he seemed to say as his hands instinctively covered the keys and conjured up all kinds of magical sounds. We’ve gone full circle now and Jan’s music may have stopped, but his body and soul continue to sing.
THINGS AFOOT AT THE PMC
The spring and summer of 2014 has turned out to be a busy season for PMC, with all kinds of new and exciting developments. On February 12, the Polish Music Center family gained a new member: Lincoln Robert Requa. This healthy and good-natured young fellow is the first born son of PMC Assistant Director Krysta Close and her husband, Kenneth Requa. Already, Lincoln and his entourage have paid several visits to the PMC and found the place quite agreeable for playtime and naps. Obviously, the study of books and scores will come later, in due course. Throughout the ages, libraries have proven to be excellent places for siestas for countless generations of students, and we’re quite happy to observe that Lincoln is already exhibiting the signs of a budding music scholar!
Another big arrival—closely related to the one above—was that of Natalie Kozłowski (pictured below at left), a USC English Literature student, who helped with the day-to-day operations of the Polish Music Center during Krysta’s maternity leave. Thanks to Natalie, telephone calls and e-mail inquiries didn’t go unanswered, paperwork was filed, mail collected, and stories for the monthly Newsletter were gathered each month in anticipation of the monthly rush to publish it all online.
In this tricky task of converting the plain text to HTML and formatting the PMC Newsletter to its familiar graphic guise, Natalie was greatly helped by Chuck Bragg (pictured above at right), our longtime volunteer wizard of the web. Chuck has generously donated lots of his free time to making sure that the PMC Newsletter is correctly uploaded and properly displayed on our website. Advising us on database design and maintenance, Chuck also managed to convince his wife, Alice (an USC alumna) to volunteer in such critical PMC tasks as record entry and library materials processing. With Krysta on leave from mid-February to mid-May, there were a few tense moments where FTP uploading protocols for the Newsletter did not function as expected. On one such harrowing occasions, it took a lot of clever tinkering on Chuck’s part (with telephone assistance from Krysta) to set everything aright and deliver on schedule the news of the latest developments in Polish music to our worldwide readership.
Still more excitement followed in late May when Krysta returned to her desk and we welcomed yet another PMC collaborator to the library. After a few years of negotiations and meetings between the PMC and the National Archives in Warsaw, we entered into a partnership with the Archives and jointly sponsored the visit of Monika Płuciennik, a Gdańsk-based archivist who specializes in processing unusual music collections. With her wide experience and expertise, Monika settled into a 6-week exploration of the PMC archives. During her visit here, Monika created databases with specific categories applicable to two very rare PMC collections: the Bronisław Kaper Collection of film scores and the Henryk Wars [Henry Vars] Collection of symphonic music. Monika’s great knowledge of procedures and nomenclature was most helpful to the PMC staff, since proper recording of our collection and listing it online to researchers worldwide is our ultimate goal. The first phase of our cooperation with the National Archives in Warsaw marks the beginning of a long journey that will lead to a detailed cataloguing of the entirety of our holdings to be made available online via the Archive’s website. More meetings with the National Archives in Warsaw are scheduled later this fall, when subsequent steps in this process will be discussed.
With so much going on, the summer months went by very quickly and we’re already looking forward to several events being prepared for the coming months. Two concerts in early October will celebrate the centenary of Sir Andrzej Panufnik. On October 5, the PMC will present its annual Paderewski Lecture-Recital, featuring the composer’s widow, Lady Camilla, delivering the lecture, “Andrzej Panufnik—the Man behind the Music.” Following her presentation, several of Panufnik’s chamber works, including the Piano Trio, Five Vocalises - Hommage à Chopin, and String Quartet No. 2, will be presented at the Alfred Newman Recital Hall. A few days later, on October 9, Maestro Carl St. Clair will lead the Thornton Symphony Orchestra in performance of two of Panufnik’s orchestral works—Tragic Overture (1955) and Harmony (1989)—at USC’s premiere performing venue, Bovard Auditorium.
Looking forward to November, the PMC will co-organize and coordinate the Paderewski Festival in Paso Robles, held this year November 5-9. In addition to many interesting concerts featuring world-class performers, young students from Poland (and possibly also from the Ukraine) will come to perform during the Festival on as a part of the biennial Cultural Exchange Program. Performances by the Polish folk dance group, Krakusy, film screenings and exhibits will also accompany this year’s Paderewski Festival, which becomes ever more popular with the public each year. Back in Los Angeles, Poland’s Independence Day will be celebrated on November 11 at USC’s Newman Recital Hall with a violin and piano recital presented by Mariusz Patyra and Krzysztof Herdzin. These two outstanding artists will present a virtuoso program, spotlighting some of the best-loved music by Chopin, Wieniawski and Paganini.
More details will follow in the Newsletter online and in other Polish media outlets in the coming weeks. As always, we look forward to seeing as many of our fans and supporters as possible at all of these events—most of them are free of charge!
KOLBERG & PANUFNIK & MEYER YEARS
MEYER AT 70
2013 was an anniversary year for Krzysztof Meyer, who celebrated his 70th birthday last August. In recognition of Meyer’s admirable accomplishments as a composer, many concerts and festivals throughout Europe commemorated the occasion with a slate of concerts devoted to Meyer’s opus.
First and foremost, two of Meyer’s operas were premiered in Poland: Gracze [Players] in January 2013 in Gdańsk, and Cyberiada in May 2013 in Poznań. The first is Meyer’s completion of the unfinished score by Shostakovitch. Meyer’s opera Cyberiada was written to a libretto by Stanisław Lem and recognized with the Grand Prix by Prince Pierre of Monaco in 1970. It was performed in Germany on a few occasions in the 1980s, but its staging in Poznań was a Polish premiere. The manuscript of Cyberiada is housed in the Polish Music Center’s Manuscript Collection at USC.
During the 2013-1014 season, Meyer was composer-in-residence for the National Philharmonic in Warsaw. Four of his major works—Sinfonia da Requiem for Chorus and Orchestra (to texts by Adam Zagajewski), Mass for Choir, Organ and Orchestra, the Clarinet Quintet and the Second Sonata for Cello and Piano were heard during that season from the Warsaw Philharmonic stage.
Meyer’s song cycle for soprano and orchestra to texts by Paul Verlaine received its world premiere in Duesseldorf, and the Bayerischer Rundfunk presented Meyer in June in a special evening program, highlighting his work. The Fourth International Shostakovich Music Festival in Gohrisch, Saxony, placed Meyer’s works along those by Shostakovich and Britten during a weekend of concerts in late September 2013.
For a few years now, Meyer’s music has appeared on the NAXOS label and the company’s recently-completed project included a recording of all thirteen of Meyer’s string quartets as performed by the Wieniawski String Quartet: String Quartets, Vol. 1 - Nos. 5, 6 and 8 (Naxos 8.570776); String Quartets, Vol. 2 - Nos. 9, 11 and 12 (Naxos 8.572656); String Quartets, Vol. 3 - Nos. 7, 10 and 13 (Naxos 8.573001); and String Quartets, Vol. 4 - Nos. 1, 2, 3, 4 (Naxos 8.573165). Upcoming NAXOS releases will feature Meyer’s Piano Quartet and Piano Quintet.
The Music Academy in Poznań honored Meyer’s birthday with a book, containing articles by several noted musicologists about the composer and his prolific catalogue of works. The publication of this volume was a fitting tribute to Meyer’s teaching activities that spanned nearly half a century. Busy as always with composing, Meyer divides his time between his residences in Germany and Poland and is currently working on a composition for organ and orchestra, commissioned by the Łódź Philharmonic and scheduled for a world premiere in February 2015.
SEASONS OF PANUFNIK
Already in full swing, the 2014 Panufnik Centenary celebrations are moving into festival mode for the summer, then leading towards the birthday month of September and the autumn season. Performances in the Americas will continue the tradition of American orchestras playing a prominent role in the history of works by Andrzej Panufnik: his Sinfonia Elegiaca was first performed in 1957 by the Houston Symphony under Leopold Stokowski and his Sinfonia Votiva received its first performance in 1982 by the Boston Symphony Orchestra under Seiji Ozawa. Other orchestral works premiered in America include Harmony, Katyn Epitaph, Symphony No. 10, Arbor Cosmica, and the Bassoon Concerto. In 2014, the Chicago Symphony and Riccardo Muti opens its season with Concerto in Modo Antico (October 2), and the St. Louis Symphony and John Storgårds perform Landscape (October 24). As a part of the Paderewski Lecture-Recital series in Los Angeles, the Polish Music Center at the University of Southern California will feature Panufnik’s widow, Lady Camilla (pictured at left), in a talk on her late husband’s life and music, and a chamber concert with mezzo-soprano Juliana Gondek, the Eclipse Quartet, and pianists James Lent and Nic Gerpe will follow the lecture (October 5). then four days later the Thornton Symphony Orchestra will perform Panufnik’s Tragic Overture and Harmony at USC (October 9). Later in the fall in Brazil, the São Paulo Symphony Orchestra and Stanislaw Skrowaczewski will perform Tragic Overture (November 6).
Events in the UK also continue apace. Orchestral performances this summer include Kirill Karabits conducting Heroic Overture with the Bournemouth Symphony, part of a Panufnik feature at the Cheltenham Festival (July 2, 9), and Sinfonia Elegiaca at the Edinburgh Festival with the young players of the I, Culture Orchestra (August 17). The Presteigne Festival includes six Panufnik works including Sinfonia Concertante and Landscape (August 22). Panufnik’s birthday on September 24 brings a special centenary concert by the City of Birmingham Symphony Orchestra, which in 1957 offered the émigré composer his first conductorship after his dramatic escape to the West. The program includes the Piano Concerto that Panufnik premiered with the orchestra, here with Peter Donohoe as soloist, and Sinfonia Elegiaca which received its UK premiere with the CBSO under his baton. The birthday also marks the launch of a major conference in Warsaw about the composer’s music led by his biographer, Beata Bolesławska-Lewandowska. Then on November 30, Kings Place presents the Panufnik 100: A Family Celebration. This festival is a day of chamber music, films and talks, including all three quartets performed by the Brodsky Quartet, concluding with a Warsaw Cabaret.
The largest Polish celebration featuring 16 of his works will be held at the International ‘Chopin & His Europe’ Festival in Warsaw. The highlight of the Festival is an all-Panufnik program including his Symphony No. 10, Violin Concerto and Arbor Cosmica with Sinfonia Varsovia and Jerzy Maksymiuk (August 27). Autumn events in Poland continue with the London Symphony Orchestra and pianist Piotr Anderszewski under Maestro Antonio Pappano performing Symphony No. 10 within the opening celebrations for the new NOSPR concert hall in Katowice (October 18), repeated the following day at the Barbican in London. Kraków plays host to three days of concerts and a conference led by Ewa Siemdaj (October 23-26), and chamber events run throughout the autumn around the country presented by the Institute of Music and Dance.
In terms of recordings the Panufnik centenary has seen the completion of CPO’s major survey of the composer’s symphonies and concertos conducted by Łukasz Borowicz, and a historic recording of the Bassoon Concerto conducted by the composer on the Heritage label. New discs of chamber music and songs are on the Chandos, Naxos, BIS and Signum labels (see details in the next article below). Books in preparation include an English translation of Beata Bolesławska-Lewandowska’s Panufnik biography from Ashgate Publishing and Panufnik’s autobiography Composing Myself translated into Polish (Panufnik o sobie) from Marginesy and in a new English edition supplemented by Panufnik’s other writings on music from Toccata Press.
[Sources: press release, boosey.com. Photo: Marek Zebrowski]
NEW PANUFNIK RECORDINGS
Panufnik & Lutosławski: String Quartets
2014 is the centenary year of Andrzej Panufnik and, while his orchestral music has received attention, his innovative string quartets remain neglected. Bittersweet harmonies characterise the First Quartet. The Second Quartet, whose subtitle ‘Messages’ refers to the mysterious sounds of telegraph poles vibrating in the wind, is notable for its motivic coherence and emotional intensity. The Third Quartet, subtitled ‘Wycinanki’, a reference to paper cutouts familiar in Polish rustic art, ends with one of Panufnik’s most moving statements. Lutosławski’s dramatic and experimental String Quartet was written when he was at the forefront of the European avant-garde. [from naxos.com
Reflections: the Solo Piano Works of Andrzej and Roxanna Panufnik
Andrzej Panufnik (1914-1991) once wrote ‘Music gets its eternal beauty from an ideal balance of emotion and intellect.’ Although Panufnik is primarily known as a composer of symphonies and large-scale orchestral pieces, his three original works for solo piano perfectly illustrate this credo. Spread out over almost four decades, they are all highly crafted, displaying the composer’s self-professed ‘life-long fascination’ with mirror forms and symmetrical patterns. In Panufnik’s music such workman-like, not to say cerebral, concerns never become a self-indulgence, however – although ordered according to the circle of fifths and a strict scheme in terms of dynamics and articulation, each of the Twelve Miniature Studies from 1947 has its own highly individual mood and expression, and although Pentasonata from 1984 in almost every aspect – metre, tonality and overall structure – is governed by the number five, the composer fully succeeds in his stated aim: ‘to achieve a balance between heart and mind, intellect and emotion’. The young British pianist Clare Hammond is greatly involved in events for the Panufnik Centenary in 2014, and has devised the present disc as her first release on BIS. For it, she has chosen to include two works that might be described as ‘posthumous collaborations’ between the composer and his daughter Roxanna Panufnik, herself an acclaimed composer. Modlitwa (‘Prayer’), originally a vocal piece, was one of Panufnik’s last compositions, which Roxanna expanded in 1999, and later has made instrumental arrangements of, the most recent one being for piano. Hommage à Chopin consists of arrangements for solo piano made in 2013 of three of the five vocalises for soprano and piano that Panufnik composed in 1949, based on folk music from the region of Mazowia, where Chopin was born. Polish folk music also appears in Roxanna Panufnik’s Second Home, which expresses her sentiments for her father’s Polish homeland. Second Home is complemented on this disc by another composition by Roxanna Panufnik, the brief and atmospheric Glo. [from www.bis.se]
Dreamscape: Songs and Trios by Andrzej & Roxanna Panufnik
A unique programme of works by father and daughter. Sir Andrzej Panufnik was a leading Polish composer of the 20th Century, and his daughter Roxanna has made a name for herself in her own right as a contemporary composer in the 21st. This disc, programmed by Roxanna to combine works by both herself and her father, explores the parallels between their two musical languages and forms a touching tribute to Andrzej from his daughter. [from www.prestoclassical.co.uk]
KOLBERG IN SONG
The Twelfth Summer Lieder Festival at Wilanów Palace featured a performance of Kolberg’s songs at an evening concert on July 5. The beautiful atmosphere of this formal royal residence on the outskirts of Warsaw provided a splendid background for the recital featuring songs by Chopin, Moniuszko, and Szymanowski in addition to a selection of songs by Oskar Kolberg. The program was presented by Iwona Kowalkowska (soprano), Wojciech Maciejowski (tenor), and Andrzej Tatarski (piano).
More information about the event at: www.kulturalna.warszawa.pl
[Sources: email correspondence, kulturalna.warszawa.pl]
ŁUKASZEWSKI WORLD PREMIERE
Commissioned by the 2014 Presteigne Festival, the Requiem for soprano, baritone, mixed choir and orchestra (2013-2014) of Paweł Łukaszewski will be premiered on Sunday, August 24 at 7:45 p.m. in St Andrew’s Church in Presteigne, Wales, UK. The premiere will be performed by Rachel Nicholls (soprano), Christopher Foster (baritone), the Joyful Company of Singers and the Presteigne Festival Orchestra under George Vass.
According to Łukaszewski:
POLES IN EDINBURGH
Traditional Scottish songs performed by Poles will resound throughout the interiors of Edinburgh's medieval churches during evenings this summer. The Polish Song of the Goat Theatre ensemble returns to Scotland following their great success presenting Songs of Lear in 2012. Their new project is entitled Return to the Voice, and it features a guest appearance by legendary jazz vocalist Anna Maria Jopek. Audiences in the Festival City will also experience concerts of Poland’s unique I, CULTURE Orchestra, whose 111 young members will join more than three thousand artists from 40 different countries during the rich program of the International Edinburgh Festival.
Below is more information about these two events from culture.pl:
To learn more about the I, Culture Orchestra and its 2014 tour, see the next article below.
[Source: culture.pl (Edited by Anna Legierska, translated by Paulina Schlosser)]
I, CULTURE ORCHESTRA 2014
Established by Poland’s Adam Mickiewicz Institute in 2011, the I, CULTURE Orchestra (ICO) is an ensemble of outstanding young musicians from Poland and the Eastern Partnership member states – Armenia, Azerbaijan, Belarus, Georgia, Moldova and Ukraine. Members audition and are chosen anew each season, and this year’s ensemble of 111 artists was announced in April 2014.
The mission of the I, CULTURE Orchestra is to foster positive change in the cultural and social development of the countries of Eastern Europe and Southern Caucasus through enterprises of the highest artistic quality. Above all, the I, CULTURE Orchestra is an exquisite ensemble, but it is also an initiative of enormous social potential, a laboratory of civic education, cooperation and understanding which transcends every division.
The Orchestra’s success has been founded on the universal principles of solidarity, integration and friendship. As an educational project, the ICO enables young talents to change their perspective on their respective artistic surroundings and hone their skills under the supervision of eminent instrumentalists of some of the world’s most prominent orchestras.
As a part of its mission, the ICO holds at least one annual residency and conducts one annual international tour each year, and the following are scheduled for 2014:
FOREIGNER’S GUIDE TO POLISH JAZZ
The Adam Mickiewicz Institute has recently published “A Foreigner's Guide to Polish Jazz.” In this ‘choose-your-own-adventure’ style article, readers are given many ways to digest the complex and glorious history (and present) of jazz in Poland. The article was adapted from Cezary Lerski's article "Polish Jazz - Freedom at last" by Wojciech Oleksiak, who provided editing, comments, a foreword, a listener's profile and the last two paragraphs.
The jazz adventure begins thus:
To read the entire article, visit: culture.pl
DANCING TO CHOPIN (BY WAY OF BRITTEN)
From the Boosey & Hawkes website:
POLES AT IKIF IN NY
Two Polish musicians taught and performed at the 16th edition of the International Keyboard Institute & Festival hosted by the New School for Music at Mannes College in New York City: Grzegorz Niemczuk and Magdalena Baczewska.
Thursday, July 17:
Friday, July 18:
Sunday, July 20:
Saturday, July 26
‘THREE POLONAISES’ IN L.A.
On August 17, an “Organ Concert of Three Polonaises” featuring organist Agnieszka Rybak will be held in commemoration of the 70th Anniversary of the Warsaw Rising at Our Lady of the Bright Mount Church in Los Angeles. Program: M.K. Ogiński – Polonez a-moll „Pożegnanie Ojczyzny”; H. Purcell – Trumpet Tune; L. Boellmann – Suita Gotycka op. 25 „Modlitwa”; F. Chopin – Polonez A-dur Op. 40 Nr 1 „Wojskowy”; F. Chopin – Mazurek F-dur Op. 68 Nr 3; F. Chopin – Etiuda Op. 10 Nr 12 “Rewolucyjna”; S. Mercadante – Rondo Russo z Koncertu Fletowego e-moll Op. 57 cz. III; W. Kilar – Polonez z filmu „Pan Tadeusz”; A. Rybak – Suita Powstania Warszawskiego 1944 [Suite of the Warsaw Rising in 1944]
This concert organized by Our Lady of the Bright Mount Parish with concert master Janusz Piotrowski.
[Sources: press release, polandconnected.com]
SEIFERT JAZZ VIOLIN COMPETITION
Laureates of the 1st International Zbigniew Seifert Jazz Violin Competition—held as part of the Summer Jazz Festival in “Piwnica pod Baranami” on July 16-19 in Kraków, Poland—are as follows:
Zbigniew Seifert (1946-1979) was one of the most eminent Polish jazz musicians and a man of incredible musical talent. His untimely death did not let him fully develop his musical abilities and interrupted a promising worldwide career.
This competition is open to musicians representing different musical styles, techniques of performance and types of compositions. The institutions that co-organize this competition hope that it will help discover musical individualities as great as Seifert himself. We expect exciting musical experiences, artistic surprises and plenty of emotions related to the presentation of music written by artists of the young generation.
The founder and initiator of the International Zbigniew Seifert Jazz Violin Competition is Małgorzata Jantos, PhD, Chair of the Board (COB) of the Zbigniew Seifert Foundation.
CHOPIN AND HIS EUROPE
The tenth edition of the ‘Chopin and His Europe’ Festival will be held in Warsaw from August 15-31, 2014, under the motto “From Chopin to Grieg and Panufnik.” Over the course of the 17 days of the Festival, masterpieces of nineteenth-century repertoire will resonate with those of twentieth-century composers. A highlight of this year’s Festival will be the performance of 16 compositions by Sir Andrzej Panufnik, whose 100th birth anniversary is celebrated throughout 2014, including at all-Panufnik program on August 27.
Polish composers and Polish musicians are featured on nearly every program of this rich Festival. To see a full listing of concerts and performers, visit: chopin.nifc.pl.
The International Music Festival “Chopin and his Europe” was established in 2005 and immediately recognized as a major artistic event. During the first 3 years of its existence the Festival managed to find its place and play a leading role among the most important events promoting Polish culture abroad. The main purpose of the Festival is to present the music of Fryderyk Chopin in a broad cultural context and is organized by the Fryderyk Chopin Institute.
The 4th annual Transatlantyk International Film and Music Festival will be held in Poznań from August 8-14, 2014. The Festival features outstanding films and music from all around the world, hundreds of screenings and numerous concerts, as well as legendary and young artists, representatives from all film and music professions. Transatlantyk is intended to be a new artistic platform aimed at building a stronger relationship between society, art and the environment through music and movies. It strives to inspire discussions on current social issues. Founded and directed by Academy Award-winning composer Jan A.P. Kaczmarek, Transatlantyk is intended to be both Glocal (local in actions and identity, while at the same time global in terms of understanding the consequences and context of its actions) and Open.
At this year’s Festival, professor and feminist activist Gayatri Chakravorty Spivak will receive the 2014 Transatlantyk Glocal Hero Award. Also, winners in the Transatlantyk Film Music Competition and Transatlantyk Instant Composition Contest will be revealed.
‘LETNIA FILHARMONIA’ FESTIVAL
The fifteenth edition of the “Summer Philharmonic” concerts is scheduled in two installments this year. The first was held in Wigry—the picturesque lakeside resort in the northeast of Poland—from July 25 until August 2. The second, scheduled for August 8-10, will take place in Pieniny, the mountainside resort in southern Poland.
The honorary guest of the Festival, Lady Camilla Panufnik, will travel from Great Britain to attend concerts honoring the centenary of her husband’s birth and share with the Festival audiences some of the details of her life with Andrzej Panufnik.
The ensemble-in-residence is the AUKSO orchestra, led by Maestro Marek Moś (pictured above). It is worth noting that some fourteen years ago, this ensemble was a student orchestra that spent an intensive two-week retreat in Wigry that led to the launching of AUKSO’s successful performing career. Pianist Janusz Olejniczak and cellist Andrzej Bauer were invited as guest soloists for this edition of the Summer Philharmonic Festival. They will be joined by younger, up-and-coming artists, including pianist Aleksandra Świgut, violinist Janusz Wawrowski, and cellist Marcin Zdunik.
Panufnik’s Cello Concerto, Violin Concerto and Suita Staropolska [Old Polish Suite] will be performed alongside Beethoven’s Triple Concerto, Chopin’s Piano Concerto Op. 21, Schumann’s Cello Concerto, and other works—both chamber and solo—presented in concerts and recitals. Free master classes for pianists with Aleksandra Świgut and Janusz Olejniczak are also planned. More information about the Festival, visit the website of POLMIC, who also serves as the media patron of this year’s Summer Philharmonic.
SUMMER FESTIVAL IN NEW TOWN WARSAW
The 7th edition of the Letni Festiwal Nowego Miasta [New Town Summer Festival] is taking place around Warsaw from July 26 – August 10. Works by Polish composers such as A. Panufnik, M. Małecki, F. Chopin, S. Madelka, K. Szymanowski, K. Kurpiński, and Wł. Słowiński are featured. Performers include the Festival’s organizers, Warsaw Camerata and conductor Paweł Kos-Nowicki; Morpheus saxophone quartet; Cezariusz Gadzina – saxophone; Piotr Iwicki and Milo Kurtis – percussion; La Tempesta early music ensemble; Filharmonia Przedszkolaka; and Kwartet Wilanów. During the Festival, programs held in traditional concert venues are interspersed with outdoor concerts and guided walks around the New Town area. Admission to all concerts and guided walks are free.
SOLIDARITY OF ARTS
This year’s Solidarity of Arts Festival will be held in Gdańsk from August 8-30, 2014. Although comprised of several events celebrating various artistic mediums, the main musical event of the Festival is always the “+” concert, which features one major international jazz superstar plus a lineup of their favorite musical colleagues. Considered Poland’s biggest jazz show of the year, it will take place on August 16 on three purpose-built stages near the Polish Baltic Philharmonic in Gdańsk. This year’s multi-talented host is the brilliant US bassist and vocalist and a 3-time Grammy Award winner Esperanza Spalding. The line-up of this year’s “Esperanza+” concert includes the following truly remarkable international musicians:
as well as a group of world-class acts from Poland:
The concert, as well as its live telecast on TVP Kultura, will start at 9 pm CET, and will deliver plenty of memorable moments for jazz fans from Poland and abroad.
Another important musical event of this year’s edition is the “United Through Music Concert,” held on August 24 in the Polish Baltic Philharmonic concert hall. Performers for this concert are: Jonathan Brett – conductor, Janusz Olejniczak – piano, Jan Lisiecki – piano, Yaryna Rak – soprano, and the Polish Baltic Philharmonic Orchestra. The program consists of: Myroslav SKORYK – Melody La-minor; Fryderyk CHOPIN – Piano Concerto No. 2 in F minor, Op. 21; Maurice RAVEL – Piano Concerto in G major; Henryk Mikołaj GÓRECKI – Symphony No. 3, Op. 36 “Symphony of Sorrowful Songs.”
[Sources: press release, filharmonia.gda.pl]
The 10th edition of the Warszawa Singera [Singers’ Warsaw] Festival of Jewish Culture is just around the corner. This annual celebration of music, theatre, film, literature and visual arts will be held from August 24 – September 1. The Yiddish culture will be back in cantors' songs, klezmer sounds, outdoor concerts, Jewish paper-cutting workshops and Hebrew calligraphy. We will move to the world so vividly described by Isaak Beshevis Singer. The honorary guest of the festival will be I.B. Singer's son – Izrael Zamir.
Every year, the most eminent representatives of the Jewish culture come to Warsaw from around the world: Israel, USA, Sweden, Holland, France, Belgium, Canada, Denmark and Hungary. During this year’s jubilee edition, the audience will have the opportunity to take part in a real artistic feast. The All Saints' Church will host the trumpet virtuoso, Tomasz Stańko featuring the Kroke band and American musicians. The cantor Yaacov Lemmer will sing in the Nozyk Synagogue. Israeli cantor Dudu Fisher, known from his creation in Les Miserables, and the Canadian jazz pianist and composer Ron Davis will perform. At the request of our audience, Joshua Nelson will come back to Warsaw. Also, theatre geeks will find a few interesting proposals. Actors from France and Romania will perform some excellent shows (The Jewish Theatre from Bucharest will stage Yentl based on Sz. An-Ski's The Dybbuk Between Two Worlds, adapted by Szmuel Shohat for Habima - the National Theatre from Israel). Several small theatre forms will be presented by, among others, Karolina Kirsz (adaptation of Touch the Water, Touch the Wind by Amos Oz) and Paweł Paszta.
The festival's grand finale concert, held in Grzybowski Square, will be performed by The Other Europeans and the stars of this year's Festival. The Other Europeans is a world famous group of 14 distinguished musicians connected with the Yiddish and the Lautari cultures. Connecting tradition and modernity, presenting culture of the pre-war Jewish shtetl and the contemporary art inspired by the Jewish motives, Singer's Warsaw Festival has been demonstrating, for several years, that the Jewish culture is very rich and can fully embrace contemporary world.
OPERA REVIEW: TRANSCRYPTUM
In May 2013, the Grand Theatre/National Opera in Warsaw presented the first installment of Projekt P [Project P], which brings together “the hottest young Polish creators” in order to develop genre-shattering new operas. In the case of the first installment, it was Wojtek Blecharz’s Transcryptum and Jagoda Szmytka’s Dla głosów i rąk [For Voices and Hands] that were premiered. American musicologist Cindy Bylander wrote an in-depth review of Transcryptum for Musical Opinion Quarterly, which is excerpted below.
Ex. 1: Libretto excerpt provided by the composer.
Ex. 2: K’an, measures 43-52.
Ex. 3: The map of tenderness, measures 58-60.
Projekt P is a part of Terytoria [Territories], a series of meetings with contemporary music in which the Polish National Opera seeks to discover and sketch a new image of opera. The genre is changing its definition today, conquering new territories, drawing new meanings, proposing a new aesthetic. The most recent Projekt P creations are Sławomir Kupczak’s Voyager and Katarzyna Głowicka’s Requiem For An Icon—these two chamber operas will be premiered in May 2015.
* * * * *
Notes & Author's biography:
Cindy Bylander received her Ph.D. in musicology from The Ohio State University and currently resides in San Antonio, Texas. She was awarded a U.S. Fulbright grant to conduct research in Poland in the 1980s. She is particularly interested in the compositions of Krzysztof Penderecki, the impact of the Warsaw Autumn Festival and other regional festivals on musical life in Poland, and the roles played by the Polish Composers Union and its individual members as they negotiated the vicissitudes of Cold War cultural policies. Dr. Bylander has presented papers at conferences in the United States and Europe. She is the author of Krzysztof Penderecki: A Bio-Bibliography (Greenwood Press, 2004) and has published articles in Musical Quarterly (2012), Musicology Today (Warsaw University, 2010), "Warsaw Autumn" as a Realisation of Karol Szymanowski's Vision of Modern Polish Music (Warsaw: Polish Music Information Centre 2007), Music of the Twentieth-Century Avant-Garde (Greenwood Press, 2002), Studies in Penderecki, Ruch Muzyczny, Polish Music Journal, and Polish Music Center Essays. Her article on Penderecki's symphonies is forthcoming in Polish Music Since 1945 (Kraków: Musica Iagellonica).
KILAR JAZZ IN KIELCE
Pianist Kuba Stankiewicz presented a recital of music by Wojciech Kilar on July 31 at the Świętokrzyska Philharmonic Chamber Auditorium Hall in Kielce. This great jazz pianist presented the audience with twelve of Kilar’s best-known tunes from his many film scores as well as some additional improvisations. Kilar’s film music CD, as interpreted by Kuba Stankiewicz came out last year to a great critical and public acclaim.
NEW JAZZ FROM PŁUŻEK
Kuba Płużek – First Album
In April, the “First Album” of phenomenal young jazz pianist Kuba Płużek was released. According to the V Records website:
Listen to some of the great music on this album at www.youtube.com.
SINFONIA VARSOVIA ANNIVERSARY RECORDING
CD 1: Antoni Szałowski – Overture, Witold Lutosławski – Symphonic Variations, Aleksander Tansman – Polish Rhapsody, Karol Rathaus – Music for Strings, Andrzej Panufnik – Tragic Overture. CD 2: Grażyna Bacewicz – Overture for Symphonic Orchestra, Tadeusz Zygrfyd Kassern – Concerto for String Orchestra, Stefan Kisielewski – Concerto for Chamber Orchestra, Ludomir Różycki – Pietà. Na zgliszczach Warszawy [Pietà. On the Ruins of Warsaw]. CD 3: Mieczysław Weinberg – Violin Concerto, op. 43, Andrzej Panufnik – Symphony no. 2(Sinfonia Elegiaca), Andrzej Czajkowski – Piano Concerto, op. 4.
In 2014, the Sinfonia Varsovia Orchestra celebrates its 30th anniversary and, during March and April, the orchestra was in the Witold Lutosławski Concert Studio in Warsaw for an important new recording project: An Anthology of Polish Contemporary Music, 1939-1945. The timing of this recording coincides with some very important historical dates in 2014: the 75th anniversary of the outbreak of World War II, 70th anniversary of the Warsaw Uprising and of Andrzej Panufnik’s 100th birthday.
The three-CD publication is intended to be unique, encompassing a wide spectrum of works written by Polish composers (including Lutosławski, Panufnik, Bacewicz, Kassern, Rathaus, Różycki and Kisielewski) and promoting Polish music on the international arena. All works by Polish composers are performed by the Sinfonia Varsovia Orchestra under the direction of renowned conductors: Jerzy Maksymiuk, Jacek Kaspszyk and Renato Rivolta.
Financed by the Ministry of Culture and National Heritage, this album is non-commercial in nature and its purpose is unique—to promote the culture and history of Poland. It is to be a document aimed at record and multimedia repositories and libraries in schools and music universities. It is also intended to be a gift for persons of merit to the Orchestra, for its friends and for selected guests of the anniversary celebrations.
It will be distributed among others to Polish music libraries and media libraries, music schools, ministerial institutes and Polish Institutes abroad. The album is accompanied by an extensive booklet with texts prof. Michael Bristiger and Dr. Catherine Naliwajek-Mazurka (in Polish and English version).
NEW POLISH MUSIC FROM RPO
Ju-Young Baek Plays Penderecki and Szymanowski
Recorded at London’s Cadogan Hall, this new release is violinist Ju-Young Baek's first recording with the Royal Philharmonic Orchestra and Maestro Grzegorz Nowak.
BORN THIS MONTH:
Send your comments and inquiries to: firstname.lastname@example.org
Newsletter Editor: Krysta Close
Translation Assistance: Marek Żebrowski
Layout Assistance: Charles Bragg
Wojtek Blecharz, Cindy Bylander, Consulate General of the Republic of Poland in L.A.,
Hanka Kolberg, Krzysztof Meyer, Grzegorz Nowak, Marek Żebrowski
Sources of information: Polish Cultural Institute (NY & UK), Adam Mickiewicz Institute, PWM,
Nowy Dziennik, Polish Music Information Centre - Warsaw, Polish American Journal,
Poland.pl, PAP, ZKP, infochopin.pl, Ruch Muzyczny, Gazeta Wyborcza
Formatting by Krysta Close, August 8, 2014.
The Polish Music Center includes all content on a space available basis. We reserve the right to refuse any content submitted.